The terms in this collection (15) The Pope Marcellus Mass was written for a total of six voice parts, including the organ.
How many voices does Pope Marcellus have?
Even though it’s predominantly a six-voice mass, Palestrina uses a variety of voice combinations throughout the work; Agnus II is scored for seven voices, with the use of the full forces reserved for climactic sections of the text.
What is the melody of Pope Marcellus Mass?
The “Kyrie,” the “Gloria,” the “Credo,” the “Sanctus” (which is often separated into the “Sanctus” and the “Benedictus”), and the “Agnus Dei” are all parts of the Latin mass. Palestrina tended to utilize both imitative polyphonic textures and homophonic textures in each movement; in the latter, he mixed a clear single melody with an imitative polyphonic texture.
Who was Pope Marcellus?
During his reign as Bishop of Rome and therefore head of the Catholic Church from 9 April 1555 until his death 22 days later, Pope Marcellus II (Italian: Marcello II; 6 May 1501 – 1 May 1555), born Marcello Cervini degli Spannochi, reigned as ruler of the Papal States and as head of the Catholic Church. He was the successor to Pope Julius III.
How does Palestrina vary the number of voices during this final excerpt that ends the piece?
When it comes to the final extract, which concludes the work, how does Palestrina adjust the amount of voices that appear? He continues to add voices until he reaches a total of six.
How many voice parts are required to seeing the Pope Marcellus Mass?
The terms in this collection (15) The Pope Marcellus Mass was written for a total of six voice parts, including the organ. The Pope Marcellus Mass, composed by Palestrina, is a setting of the Mass Ordinary. It was common throughout the Renaissance for the Mass to be delivered and sung in the local tongue (the language of the people).
What is the harmony of Pope Marcellus Mass Gloria?
This mass, in contrast to most of his other work, is more homophonic and veers toward what we would know today as functional harmony, with less stress placed on the intervalic links between lines of counterpoint and more emphasis placed on the harmony itself.
What is the tempo of Pope Marcellus Mass?
The Kyrie from Giovanni Pierluigi da Palestrina’s Missa Papae Marcelli, or “Pope Marcellus Mass,” is a profoundly melancholy piece with a speed of 61 beats per minute. It may also be used in double time at a speed of 122 beats per minute.
What is the characteristics of Pope Marcellus Mass?
The elements that have made this Mass so well-known are its continually remembered union of simplicity and clarity in the service of the liturgy, as well as its tremendous refinement of melody, harmony, and rhythm in the service of the liturgical celebration.
What is the dynamics of Pope Marcellus Mass?
When the voices align on certain words, they are sung with greater dynamic intensity (as heard in the Norton Recordings), bringing them to the forefront of attention and elevating them dramatically above the rest of the text. This contains terms like “Domine” and “Jesu Christe,” which translate as “Lord” and “Jesus Christ,” respectively.
What is the correct order of the 5 parts of the Ordinary mass?
Five portions of the Ordinary Mass — the Kyrie, Gloria, Credo, Sanctus, and Agnus Dei — were adapted to music by Renaissance composers, and they were all from the Latin liturgy.
How does Palestrina keep the music moving forward from phrase to phrase?
How does Palestrina keep the music going ahead from one phrase to the next without losing its momentum? He utilizes elided cadences throughout the speech. Despite the complexity of four- to six-part counterpoint, it was possible to present the music with clarity, elegance, and grace. The language should be simple to understand, and the music should be lovely, but not very complicated or secular in nature.
Which of the following describes Palestrina’s Gloria from the Pope Marcellus Mass?
This is how Palestrina’s Gloria from the Pope Marcellus Mass is best described. The Pope Marcellus Mass, composed by Palestrina, is a setting of the Mass Ordinary. The Latin language is not used in any portion of the Mass Ordinary.
Which position did Palestrina hold during his career?
He spent the most of his life in Rome, where he served as maestro di cappella of the papal choir at St. Peter’s Basilica, musical director of the Julian Chapel, and official composer for the Sistine Chapel. He was also a member of the American Bach Soloists.